Every entry

18 published entries. Entries whose date has not arrived are not listed.

Published entries, newest first
Published	Title	Section	Support	Layers	Drying
2026-10-26	Hopper's Nighthawks: copying flat fields without going dead	Copy	Oil	5	缓慢堆叠，主要层次之间相隔数周
2026-10-22	Oiling out and retouching varnish: the sunk-in problem	Medium	Oil	4	润色光油 30 分钟定型；回油 12 小时
2026-10-19	Monet's Rouen series: painting the same thing thirty times	Copy	Oil	5	每幅画跨多日作业，半干状态
2026-10-15	Acrylic glazing liquids and the open-time problem	Medium	Acrylic	5	罩染液把开放时间延长到 20–40 分钟
2026-10-12	Sargent's Lady Agnew: how few strokes a face can take	Copy	Oil	5	湿画法时段，总共 2–3 次作画
2026-10-08	Sgraffito and scratch-back on acrylic grounds	Method	Acrylic	5	每层 30–60 分钟后可刮
2026-10-05	Alkyd mediums: faster drying without wrecking the film	Medium	Oil	4	约缩短 50–70 % 的干燥时间
2026-10-01	Copying late Rembrandt: impasto over a thin ground	Copy	Oil	5	晚年自画像可见二十次以上独立干燥期
2026-09-28	Scumbling: the dry-brush haze that unifies a picture	Method	Oil	4	12–18 小时后再动下一层
2026-09-24	Turpentine vs odourless mineral spirits: what the difference actually costs you	Medium	Oil	4	松节油 30 分钟挥发；无味矿物油 2–4 小时
2026-09-21	Wet-into-wet: finishing in one sitting	Method	Oil	5	单次 3–5 小时，中途不干
2026-09-18	Acrylic mediums: matte, gloss, and what they do to colour	Medium	Acrylic	5	20–40 分钟表干，24 小时干透
2026-09-12	Palette knife impasto that will still be there in ten years	Method	Oil	5	表面 2 天结皮，完全固化 6–12 个月
2026-09-06	Copying Vermeer: the glaze stack in The Milkmaid	Copy	Oil	6	复原层次需要 9–12 天干燥
2026-08-31	Linseed oil vs stand oil: choosing the right body	Medium	Oil	4	亚麻仁油 24 小时；熟油 3–4 天
2026-08-25	From grisaille underpainting to colour glaze	Method	Oil	5	总计 3–5 天工作日
2026-08-19	Fat over lean, explained without the folklore	Method	Oil	5	20 °C 下膜完全固化需 6–10 天
2026-08-14	Three-pass glazing: building depth without mud	Method	Oil	5	20 °C 下每层间隔 18–24 小时